Tuesday, May 5, 2020

Contemporar Color Research and Application

Question: Discuss about the Contemporar Color Research and Application. Answer: Introduction Hue is one of the main features of coloring properties. It is also known as the parameter for the appearances of color. It is a degree in which a parameter can be described and understood from the different colors like red, blue, green or yellow. The given four colors can be stated as the core colors but we can get different hues of shades from theses colors. Hue and color forecasting Colour forecasting is one of the remarkable forces for the driving of the fashion in any textile industry. In the fashion industry, colors and hues play an important role as all the textiles and their designs are based on these elements of color (Kim, 2011). The technique of color forecasting is a remarkable product of the twentieth century. Harold Linton, chairman of the Art and Visual technology of GMU was the first person to contribute towards the working of this technique in the market or in the improvement of the hue factors in the world. He even wrote a book in 1994 on Colour Forecasting (Bleicher, 2012). Hue and Colour Notation There is a theory in the abrupt working of hue and its notations. The name of the theory is the Munsell color theory (Jakobson, Pearson and Robertson, 2008). This theory is based on a model which is three-dimensional. Here each color contains three attributes of hue namely- Hue- it is the color itself Value- it determines whether the color is light or dark. Chroma- it is the brilliance or saturation of the color. These three together form the HVC (hue, value, and chroma). The theory of the Munsell color theory can be set up in a numerical scale like structure to get the different hues of a single color shade. In a color notation system, each color has a different relation with each other on the basis of the shades. This relation can be logically and visually noticed (Miele, 2004). Colour Theories and Applications in the Middle Ages or Renaissance We all know that color is the significant clue for many important behavioral tasks in case of art and architecture. In the case of any picture or any architecture, the color to be used and the tone to be used differ drastically. The color and the hue play an important role in the maintenance of a better combination in terms of art and architecture (Ignatov, 2012). In the middle age on the period of the renaissance, the color combination in the fields of art and architecture was very profound and bold. Different colors and hues were used in case of painting the canvas or the walls. The churches and other buildings had glasses which were colored or the picture was formed by the combination of many colors. Things were not only based on the colors, many different hues or shades of the same color were used to bring about the bold effect of the art and architecture which they wanted to portrait in that thing. Stories of Jesus and the incidents related to Jesus and his life were the portraits in the form of paintings and architectural aura. This kind of colorful paintings was mostly noticed in the European countries. Italy was one of the places of Europe where art and architecture were and still is one of the most remarkable in the whole wide world. Short Bible stories or incidents from the life history of Jesus Christ and Mother Mary are seen in this style of art on the walls of European countries. Later in many parts of the Earth, this art form was accepted and successfully utilized (Ignatov, 2012). The above-given painting states the picture of the The Wedding at Cana. This painting was done by Paolo Veronese in the year 1563. In the picture a wedding scenario is portrait. The wedding scenario is depicted with all the elements in just the perfect position as to where they should be. This is a complete picture of a wedding of those times. The use of colors and strokes are so minute a vibrant that it is hardly distinguished whether it is a photograph or a painting. The quality of color and the way it has been used to give importance to minute detail is highly appreciated. References Bleicher, S. (2012).Contemporary color. 1st ed. Clifton Park, NY: Delmar Cengage Learning. Ignatov, I. (2012). The Validity of Russian Exceptionalism: Assessing Theories of Power and Lordship in the High Middle Ages.Comitatus: A Journal of Medieval and Renaissance Studies, 43(1), pp.1-28. Jakobson, L., Pearson, P. and Robertson, B. (2008). Hue-specific colour memory impairment in an individual with intact colour perception and colour naming.Neuropsychologia, 46(1), pp.22-36. Kim, Y. (2011). Can eyes smell? cross-modal correspondences between color hue-tone and fragrance family.Color Research Application, 38(2), pp.139-156. Miele, M. (2004). Colour Concepts and the Munsell System.Color Research Application, 29(3), pp.247-248.

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.